Released in August 2002, Kill the Moonlight is Spoon’s second independent release via Merge Records. The album put the band’s disastrous major-label tenure at Elektra Records firmly in the rearview mirror, scoring them their first real (if untraditional) hit with “The Way We Get By.” In lieu of wall-to-wall radio play, the song was licensed to a variety of TV shows and films — including The O.C., Shameless, Stranger Than Fiction, Mean Creek, The Puffy Chair, and Hustle — significantly growing the band’s fanbase while validating their in-through-the-back-door mentality. Kill the Moonlight was featured on “Best of the 2000s” lists from Pitchfork, Rolling Stone, and Rhapsody as well as Blender’s “100 Greatest Indie Albums” list.
Why I’ve Been Avoiding It
Discovery fatigue. When I first got into Spoon, I got into them HARD, mainlining Girls Can Tell, Gimme Fiction, and Ga Ga Ga Ga Ga within a week, then listening to pretty much nothing else for the next month. It was one badass month, but at the end of it, the last thing I wanted in my ears was more Spoon. They Want My Soul got me jonesing again, but I just never got around to Kill the Moonlight. Now, with the band’s new album, Hot Thoughts, right around the corner, I’m finally ready to cross this one off my list. Continue reading